Hunter

2010 Merom-Golan, Israel

Snow is rare in these parts, but this canine seemed to be in his element.

Calculus 1

2010, Ben-Gurion University, Israel

I looks like I'll be taking this test again...

Monolith

2009 Gilboa, Israel

30 Second exposure, about an hour after sundown.

A single, handheld, manually triggered flash was used to "paint" the rock formation with about 5 shots from different locations and angles.

Shake it

2008 Herzelia, Israel

"Chief" - The Bass Player in Yizhar Ashdot's band - during their Irish tour.

This photo became part of the cover art for a single released from the tour.

Site Logo: Photographing a broken lightbulb

For the header of my site, I wanted to photograph something that would be immediately related to title of the site ("luxphile"  - hence related to light), but would capture the somewhat dark atmosphere found in some of my work.
After a few days of deliberation an idea bulb lit up (or rather broke) above my head - and I decided on the shattered bulb concept.

If you've ever photographed someone wearing glasses, you should know that reflections can be tricky. The problem increases significantly when photographing a round glass object - since no matter where you place your light source and camera - you'll always catch a reflection.

The best way around this issue, is controlling your specular highlights, David Hobby has a wonderful piece about the technique over at the Strobist Blog which I really recommend you read.
But either way - long story short: If your going to photograph something that will reflect your light-source from any direction - the trick is to make the light source's reflection fill the entire object.

In order to make the light source's reflection (or "Specular Highlight") fill the whole object - you'll wan't a large diffuser - much larger than your standard umbrella or lightbox. The rule of thumb is - use something that would fill your entire field of vision if you were standing where your object is. Usually this is done with a large white fabric lit from behind.

In my case, I made a makeshift softbox from some white fabric, draped over a coffee table, and a broomstick. As you can see - you won't be needing any expensive studio equipment to achieve this :)

 

I tried lighting the fabric directly from above - but found that I got softer light  and less reflections when I shot my strobes into the ceiling to further diffuse the light before if hit the fabric.

You can see a much more impressive, yet conceptually similar setup over at Strobist, under Stainless Steel and Cookies.

I used to SB-24/25's at full power to light the ceiling, and one SB-26 on 1/64 power, just winking on the left of the "softbox" to light the very bottom of the bulb and separate it from the black background.
The key lights were fired with modified poverty wizards, and the left fill was on optical slave mode.

I hope you found this tutorial useful, and would love to hear what you think about it, and the final result in the comments.

Star Trails at the Dead Sea

2008 Mt. Yishay, Dead sea, Israel

2:15 Hour exposure
(Exposure stacking - made from 34 stacked 4 minute exposures)